Leszek Mozdzer

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Biography of Leszek Mozdzer

Pianist Leszek Mo?d?er, born 1971, is regarded as the most important discovery in Polish jazz during the past 10 years. It is particularly the smooth interweaving of the sound aesthetic and playing culture of classical music with the openness and energy of jazz, the rhythmic and melodic qualities of his playing and his breathtaking technical skills combined with the highest musicality which form the hallmark of his music. He is one of the most famous and successful musicians in his home country and enjoys the attention and public recognition usually reserved only for popstars. His albums regularly reach gold and platinum, thousands go to his concerts and there is hardly any important award which Leszek Mo?d?er has not won. At the same time he is also internationally acclaimed, has toured through all European countries as well as in the USA, Kazakhstan, Kyrgyzstan, Brazil, Canada, South Korea, Malaysia, Singapore, Japan, Uruguay and Chile. There are, meanwhile, more than 100 albums featuring Leszek Mo?d?er including many under his own name.

Born in 1971, he has been playing the piano since the age of five. He has covered every stage of the formal education until graduating from the Gda?sk Academy of Music named after Stanis?aw Moniuszko in 1996. He became interested in jazz relatively late - in the last grade - when he was 18. He was introduced into jazz in the band of Emil Kowalski, a clarinet player, but his proper start took place at the first rehearsal with a band called Mi?o?? (Love) back in 1991.

From then on, the young pianist has been receiving some of Poland’s most prestigious music awards. Among them the „Krzysztof Komeda Prize“ by the Foundation of Polish Culture (1992), the 1st prize at the International Jazz Improvisation Competition in Katowice in 1994, the most important Polish music award “Fryderyk 1998” as Jazz Musician of the Year, the Prize of the Mayor of the City of Gda?sk for outstanding artistic achievement (1999) and the Grand Prize of the Polish Culture Foundation 2006 for outstanding performances promoting Polish Culture. In the poll organized among the readers of the Polish jazz magazine “Jazz Forum”, Leszek Mo?d?er was voted the most promising musician of the year in 1993 and 1994, as the musician of the year in 1995 and 1996 and as best pianist for 14 years in a row – from 1994 – 2008.

Besides working with the band Mi?o??, Leszek Mo?d?er later became a member of the Zbigniew Namys?owski Quartet. On many occasions he recorded film music with Zbigniew Preisner and also regularly works with Jan Kaczmarek, polish composer working in LA, while recording music score (for 20th Century Fox and Mira Max). He has been invited to perform jointly with the celebrities of Polish jazz, such as Tomasz Sta?ko, Janusz Muniak, Micha? Urbaniak, Anna Maria Jopek, Adam Piero?czyk and Piotr Wojtasik and has also worked with acclaimed international musicians, including Arthur Blythe, Buster Williams, Billy Harper, Joe Lovano, Pat Metheny and Archie Shepp.

Improvisations on the themes by Fryderyk Chopin have further strengthened Leszek Mo?d?ers position and ranked him among the most outstanding individualities and virtuosos of the European jazz. His theatrical projects are also remarkable, among others "Hair - love, rock musical" at the Musical Theatre in Gdynia, "Tango with Lady M." at the Polish Theatre of Dance in Pozna?, "4.48 Psyhosis" at the Düsseldorfer Schauspielhaus, "Rewizor" at the Teatr Dramatyczny, Warsaw and "Mandarynki i Pomara?cze" at the Teatr Muzyczny, Wroc?aw. Leszek Mo?d?er also created the music for the first in the world trans-opera based on Wiliam Shakespeare : "A Midsummer Night's Dream". The premiere was held in Musical Theatre in Gdynia in October 2001.

On 26th August 2006 Leszek Mo?d?er was featured in the final concert of Pink Floyd guitarist and singer David Gilmour in Danzig. The mega music event with more than 50,000 spectators in the port of Danzig was recorded on the live CD / DVD “David Gilmour – Live in Gdansk”.

On 21st of August 2010 Leszek Mo?d?er performed in Gdansk on three stages for 22 000 people in a project called “Mo?d?er +” together with Marcus Miller, John Scofield, Lars Danielsson, Steve Swallow, Bill Stewart, Naná Vasconcelos, Zohar Fresco, the Aukso Chamber Orchestra directed by Marek Mo? and numerous other guests.

Besides numerous solo concerts, Leszek Mo?d?er’s most important current projects include particularly his Mo?d?er / Danielsson / Fresco trio and the duo with Swedish bassist and ACT artist Lars Danielsson. Leszek Mo?d?er’s first two albums with ACT also featured this line up.

Pasodoble (ACT 9458-2), released in 2007, was an important milestone for Leszek Mo?d?er’s prominence outside his home country of Poland and was highly acclaimed by the international press. Fono Forum described the line up as, “a dream team of intuitive interplay”; Great Britain’s most famous jazz journalist Stuart Nicholson was highly impressed with the “clarity of thought and execution rarely encountered in jazz“ and the French Jazzman / Jazz Magazine named Pasodoble as the album of the year. In Poland the album reached gold and platinum.

Tarantella (ACT 9477-2) followed in 2009 and is the continuation of the highly successful collaboration between Lars Danielsson and Leszek Mo?d?er – this time with an expanded line up which also includes trumpeter Mathias Eick, guitarist John Parricelli and drummer Eric Harland. Tarantella reached gold in Poland and, in Germany, an overwhelming majority of the listeners of NDR Play Jazz voted the CD as album of the year. The critics were also euphoric – Jazzthetik wrote: “artistically performed chamber jazz full of diverse timbres with a previously unheard richness of melody and unmistakable tendency to classical music.” Jazz thing added: “compositions which are intoxicated with melodies, dream-like, full of yearning, weightlessly dancing and fearlessly beautiful.”

Leszek Mo?d?er’s new album, Komeda (ACT 9516-2), which will be released on 24th June is his first under his own name with ACT. He uses the recording as an opportunity to pay homage to his idol Krzysztof Komeda. The jazz pianist and film music composer who died in 1969 aged only 38 years, is regarded as the second national hero of Polish music alongside Chopin and wrote, amongst other things, the soundtracks to almost all of Roman Polanski’s films which were filmed during his lifetime.

Mo?d?er’s Komeda project has undergone a long maturing period. The album’s producer Pawe? Potoroczyn, tried to get him in the studio for this project for six years but Mo?d?er only feels ready for it now. The album’s entire repertoire comprises solely of compositions by Komeda although Mo?d?er emphasises how much freedom he still had, despite this, also because he was able to select the pieces and put them together in any way he wanted. He also had freedom with regards to the interpretation: “Komeda leaves so much freedom for the improvisational musician. If you look at the notes you can say that Komeda regards the interpreter as a partner. He trusts him and I can see that in the compositions.” In this way, many small masterpieces have been created which go far beyond any pigeonholed way of thinking and offer a musical romance for lovers of classical music as well as jazz fans.

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