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Extempore II
Artist: Perfect Houseplants |
Date of Release: |
Catalogue no: HMU 907319 |
Label: Harmonia Mundi |
Price: £11.99
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Track Listing |
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Title |
Duration |
1 | | Motet The Man, the Man (Huw Warren) | | 2 | | Introit Approach (Donald Greig) | | 3 | | Fanfare Tumult (Mark Lockheart) | | 4 | | Kyrie Mercy, Mercy (Mark Lockheart) | | 5 | | Gloria Glory be (Mark Lockheart) | | 6 | | Collect Thistle (Dudley Phillips) | | 7 | | Epistle Prayer (Mark Lockheart) | | 8 | | Gradual Protectorate (Robert Jones) | | 9 | | Alleluia Archangel (Donald Greig) | | 10 | | Gospel Gospel (Dudley Phillips/ Huw Warren/Martin France) | | 11 | | Credo Crier (Huw Warren) | | 12 | | Offertory Umballa (Donald Greig) | | 13 | | Preface Ministry of Angels (Dudley Phillips/Mark Lockheart) | | 14 | | Sanctus Coeli et Terra (Dudley Phillips) | | 15 | | Benedictus Draconus (Dudley Phillips) | | 16 | | Paternoster | | 17 | | Paternoster Haubregon (Dudley Phillips) | | 18 | | Pax Pax | | 19 | | Agnus Dei Deliverance (Mark Lockheart) | | 20 | | Communion Above the clouds (Mark Lockheart) | | 21 | | Post Communion Intercession (Donald Greig/Charles Daniels) | | 22 | | Dismissal Burgate (Angus Smith) | | 23 | | Recessional Dona nobis pacem (Huw Warren) | |
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Appearances by Huw Warren, Mark Lockheart, Martin France |
Mark Lockheart: Tenor and Soprano Sax, Clarinet Robert Harre-Jones: Countertenor Huw Warren: Piano and Prepared Piano Charles Daniels: Tenor Dudley Phillips: Electric and Acoustic Bass Angus Smith: Tenor Trumpet Martin France: Drums and Electric percussion Donald Greig: Baritone 'Trumpet) |
Reviews |
01/02/2003 The Guardian | “Improvisational talent is a key to the collaboration between the Orlando Consort and Perfect Houseplants: medieval musicians had to be as routinely flexible as jazz players. The Orlandos are a multi-award winning early music vocal group; the Houseplants are a distinctively pastoral British quartet However, Extempore II (Harmonia Mundi ) is more composition based than their previous work together, an hour-long Latin mass based on the medieval melody, L’Homme Armé. When the full band plays behind the vocals, as on saxophonist Mark Lockheart’s Mercy, Mercy, there’s a vestigial trace of the Coltrane quartet’s Psalm, from A Love Supreme. Pianist Huw Warren contributes Crier, a robust piece that pushes both ensembles in new directions, and the mass opens and closes on two more Warren compositions, he Man, the Man, and Dona Nobis Pacem, a beautifully restrained and gorgeous recessional.” | 01/01/2003 Classic FM magazine | “Ground breaking, not one for the faint hearted” |
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