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Mysterious Barracudas
Artist: Respectable Groove |
Date of Release: 01/01/1999 |
Catalogue no: samcd001 |
Label: Mister Sam |
Price: £9.50
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Track Listing |
No |
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Title |
Duration |
0 | | Loose Connections - John McSherry | 2.20 | 1 | | La Rotta della Manfredina - Italian manuscript circa 1400 | 2.38 | 2 | | Trotto - same manuscript | 5.09 | 4 | | Les Baricades Misterieuses / Mysterious Barracudas - F.Couperin / David Gordon | 5.15 | 5 | | Mike's Tune - trad | 2.00 | 6 | | Mister Sam - David Gordon | 4.31 | 7 | | Strange Bird of Paradise - David Gordon after Borodin | 6.51 | 8 | | April Fool - David Gordon | 4.23 | 9 | | Achavari Waltz - Kathryn Tickell | 2.40 | 10 | | Chorinho - Lyle Mays | 4.39 | 11 | | Henderson the Rain King - Richard Jeffries | 7.04 | 12 | | April 3rd - Donal Lunny | 2.25 | 13 | | Drink to me only with thine eyes - trad. | 5.34 |
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Drawing inspiration from medieval dance tunes, contemporary jazz rhythms and Celtic folk melodies, four outstanding individuals who are leaders in their fields together create a dazzling synthesis of musical colours, which makes for exhilarating yet demanding listening. Respectable Groove's original style and unique instrumentation create a distinctive repertoire that allows them to move with effortless ease from classical masters like Borodin and Couperin to contemporary giants like Lyle Mays and Kathryn Tickell via 14th century estampies. |
Reviews |
01/01/2000 Karen Griffith | "My toddlers are dancing to it!" | 01/01/1999 Patrick Johns 'Jazz Record Requests’ BBC Radio 3 | "A dazzling fusion of old and new musics, played with understanding and virtuosity, and further stretching the musical boundaries of jazz." | 01/01/1999 Alyn Shipton ‘Jazzmatazz’ BBC World Service BBC Radio 3 | “This new album goes to prove that using instruments associated with the musical past is no barrier to producing interesting contemporary jazz.” | 01/01/1999 John L.Walters ‘The Guardian’ | “ … recorder virtuoso Evelyn Nallen … can play fast, improvised jazz with admirable control of timbre and intonation … pushes the supposed technical and timbral limitations of the instrument to spine-tingling extremes … she can swing, and she can play a simple tune sweetly, with little embellishment ... the recording exploits the delicacy of the sounds they use, particularly Tatsuhara's inventive cymbal-work.” | 01/01/1999 Mark Argent ‘Early Music News’ | "Wonderful concert, brimming with musicianship and excitement, bringing together the best of the worlds of baroque music and jazz." |
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