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Westbrook Rossini
Artist: Mike Westbrook |
Date of Release: 31/07/2008 |
Catalogue no: hatOLOGY 661 |
Label: HatOLOGY |
Price: £10
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Track Listing |
No |
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Title |
Duration |
1 | | William Tell Overture II | | 2 | | William Tell Overture III | | 3 | | The Thieving Magpie Overture | | 4 | | L’amoroso E Sincero Lindoro | | 5 | | William Tell Overture IV | | 6 | | The Barber Of Seville Overture | | 7 | | Thievish Magpie | | 8 | | William Tell Overture I | | 9 | | Si Cinge Il Pro’guerriero | | 10 | | Isaura | | 11 | | Tutto Cangia | | 12 | | William Tell Overture V | |
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Appearances by Kate Westbrook, Peter Fairclough |
Hear Sound Samples on the Westbrookjazz Website
Lindsay Cooper sopranino saxophone Peter Whyman alto saxophone Kate Westbrook piccolo, tenor horn & voice Paul Nieman trombone Andy Grappy tuba Mike Westbrook piano & tuba Peter Fairclough drums
Music by Gioacchino Rossini arranged, with additional material, by Mike Westbrook. L’Amoroso e Sincero Lindoro, Isaura and Tutto Cangia arranged by Kate Westbrook and Mike Westbrook.
These arrangements are published by TUHTAH Publishing/SUISA. Westbrook-Rossini was devised by Kate and Mike Westbrook.
The material from William Tell was originally commissioned by the Festival du Théâtre Contemporain, Lausanne, in 1984.
Digital two-track recording by Peter Pfister in the studios of Radio DRS Zürich on 11 & 12 November 1986. Cover photos by Bob Kessler; Graphic concept by fuhrer vienna. Produced by Werner X. Uehlinger. Special thanks to: Radio DRS Zürich & Willy Bischof. hatOLOGY 661 (reissue, remastered) - UK distribution Harmonia Mundi. |
Reviews |
31/07/2008 Art Lange | Keep in mind that this is not a collection of isolated episodes, but a considerable ensemble work as well, full of relaxed pastoral airs alternating with more tumultuous melees – a juxtaposition which has found favor in Westbrook’s writing … Typically, his arrangements set you up in what appear to be comfortable surroundings, then suddenly alter your sense of perspective with a swift shift of mood. As a composer and arranger of the first rank, Westbrook thrives on contrast and diversity; yet even given that, Westbrook–Rossini’s playful suggestions of Ellington, Anthony Braxton, and Charlie Chaplin could be considered surrealistic. Still, in the long run, it’s Rossini, it’s Westbrook, and the twain do meet. |
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