"..Saxophonist Mark Lockheart and drummer Seb Rochford bring the creativity and energy levels you would expect to Warren's music, but the guitarist himself is by no means overshadowed. His playing is heavily influenced by rock(the Grateful Dead and Carlos Santana came to mind at different points) and ethnic musics, and his compositions and rhythmic grooves which reveal similar influences provide good platforms for improvisation andgroup interaction, while at the same time avoiding the staple forms and routines of a mainstream jazz approach. Loz Speyer adds atmospheric trumpet alongside Lockheart's horns on selected tracks, and Dudley Phillips does his usual impeccable job on bass." Jazzwise Magazine |
Allaboutjazz.com:
Disassembler
Trevor Warren | 33 Jazz
By Chris May
A lyrical and gently trippy album in which Trevor Warren, previously best known as leader of the world/jazz band Deva, brings together free improv, groove, and rock with music from India, the Middle East, and Africa. It whispers rather than shouts, and the prominent access-all-genres presence of saxophonist Mark Lockheart and drummer Seb Rochford gives it something of the flavour of Polar Bear in that group's more reflective moments.
Warren took the title Disassembler from Eric Dexler's book on nanotechnology, Engines of Creation. But while this is intimate and mostly delicate music, it certainly isn't minimalist: there is forward movement and linear development aplenty. It is, however, meditative, an oasis of unhurried reflection amongst the noise and clutter which otherwise bombard us.
The most frequently heard soloist is Lockheart, and much of the album features him in dialogue with either Warren, Rochford, or trumpeter Loz Speyer. The template is established on the opening Engines Of Creation, a serpentine, Indian-inspired tune which features Lockheart's quietly explorative tenor, even his multiphonic passages are sotto voce over Rochford's hypnotic toms and a delicate guitar and bass backdrop. Lockheart stays with the tenor for most of the album, switching to bass clarinet for Strange Salute and soprano for Dragon's Breath.
Warren, who wrote all the tunes, concerns himself more with creating background soundscapes than taking solos, the only real guitar solos, cool fusions of jazz, rock, and ragacome on It Seemed Like A Good Idea At The Time and the relatively upbeat Baby and Nothing To Pay Until....
Disassembler doesn't force itself on you. If you don't make a conscious effort to focus on it, it could pass you by. But there is a quiet profundity about the recording, and if you slow
down, centre yourself, and cut out the world around you for a while, you'll likely find it a refreshing and restorative experience.
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